And everything has to work in synch — the choreography with the props, with the practical effects that are going on in the scene, with then realizing what the visual effects are going to do on top of that.
What drew me to the script in the first place was the way Peter continues to write about the injustices in our criminal justice system, and white privilege, and the fine line that all of these characters walk.
Dean Israelite: What is so interesting — maybe serendipitous, I hope, for us — the movie was meant to come out last year.
I still want that helmet.